The last issue of the fall is one week away. Three folders sit on the Signal Desk: stories, explainers, arguments.
"We revise all of them this week," Raven says. "Then we print."
Rocket pulls out his garden notice. "This one is done. I wrote it in ten minutes."
Raven reads it aloud: "So the gardeners said the thing about the tent is done." She stops. "Who is this for?"
"Us," Rocket says. Then, slower: "No. It is for the block. People who were not on the porch."
"What do you notice about what they would need to know?" Raven asks.
Nova hovers over the folders, her light settling on the notice. "Same facts," she says. "Different reader. Start there."
Rocket picks up a fresh card and writes "For: neighbors" across the top.
Revising is not fixing commas. Revising changes what the piece says and how it is arranged so it does its job for its reader.
Start with two questions. What is this piece for: to tell a story, to explain, or to argue? Who will read it, and what do they already know?
Raven thinks aloud: "The notice is to explain new garden hours. The readers are neighbors who were not on the porch. So the notice needs the when, the where and the why, in plain order."
A piece written for the crew can skip things the crew already knows. A piece written for the block cannot.
This week's mentor texts are pieces from The Signal, the crew's paper about their made-up neighborhood, shown before and after revision.
| Revision moves | True or false? |
|---|---|
| The revised notice gives the where, the when and the why. | ? |
| The first draft was written with neighbors in mind. | ? |
| Revising mostly means fixing commas. | ? |
| The revision tells readers what to do with questions. | ? |
Purpose and audience point the way. Tomorrow you learn the four moves of revision: add, remove, move and reword.