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Week 12 Β· Revise, Edit and Press Day

Monday

Purpose and audience
// Make it clearer for the reader, make it correct, and print the final issue
⏱ about 20 min

Monday: Purpose and Audience

The last issue of the fall is one week away. Three folders sit on the Signal Desk: stories, explainers, arguments.

"We revise all of them this week," Raven says. "Then we print."

Rocket pulls out his garden notice. "This one is done. I wrote it in ten minutes."

Raven reads it aloud: "So the gardeners said the thing about the tent is done." She stops. "Who is this for?"

"Us," Rocket says. Then, slower: "No. It is for the block. People who were not on the porch."

"What do you notice about what they would need to know?" Raven asks.

Nova hovers over the folders, her light settling on the notice. "Same facts," she says. "Different reader. Start there."

Rocket picks up a fresh card and writes "For: neighbors" across the top.

The crew on the porch steps under string lights, handing folded Signal booklets to neighbors while Nova hovers above.

Learn it: revise for purpose and audience

Revising is not fixing commas. Revising changes what the piece says and how it is arranged so it does its job for its reader.

Start with two questions. What is this piece for: to tell a story, to explain, or to argue? Who will read it, and what do they already know?

Raven thinks aloud: "The notice is to explain new garden hours. The readers are neighbors who were not on the porch. So the notice needs the when, the where and the why, in plain order."

A piece written for the crew can skip things the crew already knows. A piece written for the block cannot.

  • Name the purpose in one word: narrate, explain or argue.
  • Name the audience and one thing they do not know yet.
  • Read your draft as that reader. Mark every place they would ask "What?" or "Why?"
  • Add what the reader needs. Cut what only you care about.

Read it: a notice, before and after

This week's mentor texts are pieces from The Signal, the crew's paper about their made-up neighborhood, shown before and after revision.

Read it
Garden Hours Change (a Signal notice, first draft, written as if for the crew)
So the gardeners said the thing about the tent is done and now they are moving the hours because of it.
They will be there later than before, which is good, I think. The trays stay under the tent now, so nobody has to carry them.
Anyway if you go you will see it.
Garden Hours Change (the same notice, revised for neighbors who read The Signal)
The community garden on Maple Street has new hours now that the shade tent is up.
The Saturday planting hour moves from seven in the morning to ten, because the seedling beds now stay cool until noon.
The seedling trays will stay under the tent, so volunteers no longer need to carry them to the porch.
Neighbors are welcome to stop by any Saturday at ten. Bring gloves if you have them, and the gardeners will find you a row.
Questions can be left in the Signal mailbox on the porch, and we will print the answers next week.
CHECK IT: BEFORE AND AFTER
  • Read the question.
  • Tap your answer.
What is the purpose of the garden notice?
Who is the audience of the revised notice?
Which detail did the revision add that the first draft left out?
Which first-draft line was cut because it helps no reader?
Revision movesTrue or false?
The revised notice gives the where, the when and the why.?
The first draft was written with neighbors in mind.?
Revising mostly means fixing commas.?
The revision tells readers what to do with questions.?
WHY THIS EXERCISERevision changes what a piece says for its reader. Editing, which fixes conventions, comes later.
Which word in the first draft shows the writer was talking to friends, not to neighbors? It starts the last line.
WHY THIS EXERCISEChatty words like "anyway" and "so" are fine on the porch. In a notice for the block they lose the reader.
PUT THE FIRST STEPS OF REVISING IN ORDER
  • What do you do first when revising for a reader?
  • Tap the cards in order.
1First
2Next
3Then
4Last
Try it
Read the first draft aloud to someone at home as if they are a neighbor. Ask what they would still want to know.
Then read the revised version. Ask whether their question got answered.
Checklist
I can name my piece's purpose in one word.
I can name my audience and one thing they do not know yet.
I have marked every place my reader would ask "What?" or "Why?"

Purpose and audience point the way. Tomorrow you learn the four moves of revision: add, remove, move and reword.