Rain hammers the porch roof. Rocket has moved the butcher paper under the lamp to keep it dry.
"Episode Two," he says. "I checked the first line. It is raining in the story too."
Raven smiles. "What do you notice about that? Why would a writer add rain to a search?"
"Because it is harder to search in the rain," Rocket says. "And the porch gets wet. And the library closes at six."
Nova hovers near the dripping screen. "A setting is not a backdrop," she says. "It is a set of walls. Where can the characters go, and where can they not?"
Raven writes on the mountain: Episode Two, the climb gets steeper.
"Rain," Rocket says. "Six o'clock. A wet porch. I can feel the walls already."
Setting is where and when a story happens: the place, the time, the weather, the light. Setting shapes what characters can do.
A storm closes off one path and opens another. A deadline makes a character hurry. A dark porch makes a small clue hard to see.
Raven thinks aloud: "The text says the library closes at six and it is raining. So the crew cannot just make new copies. The setting pushes them to search fast."
When you read, ask what the setting allows, what it blocks, and how each character handles it.
| Statement | True or false? |
|---|---|
| The whole master was dry and readable. | ? |
| The rain began at twenty past five. | ? |
| The crew went to the library that night. | ? |
| Rocket climbed on the bench to reach the sheet. | ? |
The setting has done its work, and half a master lies under the lamp. Tomorrow one line of dialogue changes everything.